On Sunday, my college roommate and my other friend from college are screening the movie they made together, Not Waving but Drowning, in Silver Spring, Maryland. It’s a big deal for my roomie because she’s from the Washington area—which means I got to interview her for the website. An excerpt of the interview is below; you can read the full thing (and see an adorable photo of them) here. I have such talented friends.
Tell me how the movie and your partnership first came about.
DW: The idea started my freshman year of college, when I was 19—kind of from that overwhelming feeling of being trapped and being anxious. I started writing the script after I moved to New York [after graduation]. I went through this long period of restlessness, and a lot of the characters came out of that. It was a year of writing and working on it, and it was definitely a lot of getting to know the characters. It’s kind of a collage; there were lots of little things I knew I wanted to include, so it’s more like a novel in that you spend some time with these people and in the end maybe you learn something, rather than setting things up in the first act. At times it felt urgent that I be working on it, and at times it became distant. Like the characters—they kind of wax and wane.
NE: We started working on this in 2008 or 2009, and I quit my job in April 2010 to work on it full-time. Devyn and I were both delusional and thought it would take us one year to make the movie—it’s been two years, so only twice as bad as we thought.
When did you decide to include the short, The Most Girl Part of You, at the beginning?
DW: That was something that came about while we were in beginnings of preproduction. I wasn’t super-happy with how Not Waving but Drowning began, and I’ve been a huge fan of Amy Hempel since I was in college. I was thinking about howGirl would make such a great short film, and as I was walking home listening to music and imagining it, I got excited about making it. I feel like not a lot of people see short films . . . I liked the idea of putting a short with a feature so people could see both, like it being a throwback to when you used to see a short film before a movie.
What’s the common thread between the two?
DW: I felt like adding this other story brought the whole thing to completion and made it feel more cyclical. I hate the term “coming of age,” but Girl is one transition, going from a kid to a girl, and Drowning is a second transition that I think happens at different ages for different people. [Girl] is about a child becoming a girl and having her first sexual experience. I think that transition is very obvious; we’re used to seeing that in film, and by setting that up it makes it more open to the fact that Drowning is another transition. So though these are different stories with different characters, it could have been one person. I think there are a lot of similarities between the relationships themselves, in the sense that they’re these symbiotic relationships. [InGirl], Amy relies on Big Guy to be the mouthpiece in their relationship, and then they lose each other, so there’s the idea of having to grow that other half that you relied on in the friendship. The more I analyzed it, the more I could find a lot of things that were really similar between the two.
PS: Because our Internet at home failed yesterday, this is a makeup post. I’ll be putting up two today!